ابيكم بخدمه اذا سمحتو Pleasa

[كلهـ قمرهم ـم]

السلام عليكم

شووووكرن لكل اللي دخل وحاب يساعدني:smile:

بس بغيت مواقع لقصص قصيره باللغه الأنجليزيه طبعن
محتاجتها للأمتحان بكره
بس ماتكون طويله يعني مو اكثر من صفحتين او ثلاثه
وبشرط انها تكون قصه حماسيه يعني تحبس الأنفاس ولها معنى:pain: شسوي كذا تبيها الأستاذه

بصراحه انا حاولت بس ماعندي ذاك الخيال عشان أألف قصه ودورت بالنت عجزت مافي شي اعجبني
واذا كلش مافيه ماعليه لو تكون بالعربي وانا اترجمها واللي عنده مترجمه جاهزه بعد ماعندي مانع بس أفضل انكم تجيبونلي مواقع :smile:

فهمتو علي
ياليت تساعدوني لااااازم بكره اقدمها
يالله سلام
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[ســــارونة]

والله مادري:pain:


صبري بدورلك.......

[كلهـ قمرهم ـم]

I'm waiting saroona
:smile:
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[ســــارونة]

بصراحه اختي دورتلج و اقصر شي حصلته كان اربع صفحات و شوي بس شوفيها يمكن تعجبج:pain:


[ALIGN=LEFT]The Music on the Hill

Sylvia Seltoun ate her breakfast in the morning-room at Yessney with a pleasant sense of ultimate victory, such as a fervent Ironside might have permitted himself on the morrow of Worcester fight. She was scarcely pugnacious by temperament, but belonged to that more successful class of fighters who are pugnacious by circumstance. Fate had willed that her life should be occupied with a series of small struggles, usually with the odds slightly against her, and usually she had just managed to come through winning. And now she felt that she had brought her hardest and certainly her most important struggle to a successful issue. To have married Mortimer Seltoun, "Dead Mortimer" as his more intimate enemies called him, in the teeth of the cold hostility of his family, and in spite of his unaffected indifference to women, was indeed an achievement that had needed some determination and adroitness to carry through; yesterday she had brought her victory to its concluding stage by wrenching her husband away from Town and its group of satellite watering-places and "settling him down," in the vocabulary of her kind, in this remote wood-girt manor farm which was his country house.
"You will never get Mortimer to go," his mother had said carpingly, "but if he once goes he'll stay; Yessney throws almost as much a spell over him as Town does. One can understand what holds him to Town, but Yessney--" and the dowager had shrugged her shoulders.
There was a sombre almost savage wildness about Yessney that was certainly not likely to appeal to town-bred tastes, and Sylvia, notwithstanding her name, was accustomed to nothing much more sylvan than "leafy Kensington." She looked on the country as something excellent and wholesome in its way, which was apt to become troublesome if you encouraged it overmuch. Distrust of townlife had been a new thing with her, born of her marriage with Mortimer, and she had watched with satisfaction the gradual fading of what she called "the Jermyn-Street-look" in his eyes as the woods and heather of Yessney had closed in on them yesternight. Her will-power and strategy had prevailed; Mortimer would stay. Outside the morning-room windows was a triangular slope of turf, which the indulgent might call a lawn, and beyond its low hedge of neglected fuschia bushes a steeper slope of heather and bracken dropped down into cavernous combes overgrown with oak and yew. In its wild open savagery there seemed a stealthy linking of the joy of life with the terror of unseen things. Sylvia smiled complacently as she gazed with a School-of-Art appreciation at the landscape, and then of a sudden she almost shuddered.

< 2 >

"It is very wild," she said to Mortimer, who had joined her; "one could almost think that in such a place the worship of Pan had never quite died out."
"The worship of Pan never has died out," said Mortimer. "Other newer gods have drawn aside his votaries from time to time, but he is the Nature-God to whom all must come back at last. He has been called the Father of all the Gods, but most of his children have been stillborn."
Sylvia was religious in an honest, vaguely devotional kind of way, and did not like to hear her beliefs spoken of as mere aftergrowths, but it was at least something new and hopeful to hear Dead Mortimer speak with such energy and conviction on any subject.
"You don't really believe in Pan?" she asked incredulously.
"I've been a fool in most things," said Mortimer quietly, "but I'm not such a fool as not to believe in Pan when I'm down here. And if you're wise you won't disbelieve in him too boastfully while you're in his country."
It was not till a week later, when Sylvia had exhausted the attractions of the woodland walks round Yessney, that she ventured on a tour of inspection of the farm buildings. A farmyard suggested in her mind a scene of cheerful bustle, with churns and flails and smiling dairymaids, and teams of horses drinking knee-deep in duck-crowded ponds. As she wandered among the gaunt grey buildings of Yessney manor farm her first impression was one of crushing stillness and desolation, as though she had happened on some lone deserted homestead long given over to owls and cobwebs; then came a sense of furtive watchful hostility, the same shadow of unseen things that seemed to lurk in the wooded combes and coppices. From behind heavy doors and shuttered windows came the restless stamp of hoof or rasp of chain halter, and at times a muffled bellow from some stalled beast. From a distant comer a shaggy dog watched her with intent unfriendly eyes; as she drew near it slipped quietly into its kennel, and slipped out again as noiselessly when she had passed by. A few hens, questing for food under a rick, stole away under a gate at her approach. Sylvia felt that if she had come across any human beings in this wilderness of barn and byre they would have fled wraith-like from her gaze. At last, turning a corner quickly, she came upon a living thing that did not fly from her. Astretch in a pool of mud was an enormous sow, gigantic beyond the town-woman's wildest computation of swine-flesh, and speedily alert to resent and if necessary repel the unwonted intrusion. It was Sylvia's turn to make an unobtrusive retreat. As she threaded her way past rickyards and cowsheds and long blank walls, she started suddenly at a strange sound - the echo of a boy's laughter, golden and equivocal. Jan, the only boy employed on the farm, a tow-headed, wizen-faced yokel, was visibly at work on a potato clearing half-way up the nearest hill-side, and Mortimer, when questioned, knew of no other probable or possible begetter of the hidden mockery that had ambushed Sylvia's retreat. The memory of that untraceable echo was added to her other impressions of a furtive sinister "something" that hung around Yessney.

< 3 >

Of Mortimer she saw very little; farm and woods and trout- streams seemed to swallow him up from dawn till dusk. Once, following the direction she had seen him take in the morning, she came to an open space in a nut copse, further shut in by huge yew trees, in the centre of which stood a stone pedestal surmounted by a small bronze figure of a youthful Pan. It was a beautiful piece of workmanship, but her attention was chiefly held by the fact that a newly cut bunch of grapes had been placed as an offering at its feet. Grapes were none too plentiful at the manor house, and Sylvia snatched the bunch angrily from the pedestal. Contemptuous annoyance dominated her thoughts as she strolled slowly homeward, and then gave way to a sharp feeling of something that was very near fright; across a thick tangle of undergrowth a boy's face was scowling at her, brown and beautiful, with unutterably evil eyes. It was a lonely pathway, all pathways round Yessney were lonely for the matter of that, and she sped forward without waiting to give a closer scrutiny to this sudden apparition. It was not till she had reached the house that she discovered that she had dropped the bunch of grapes in her flight.
"I saw a youth in the wood today," she told Mortimer that evening, "brown-faced and rather handsome, but a scoundrel to look at. A gipsy lad, I suppose."
"A reasonable theory," said Mortimer, "only there aren't any gipsies in these parts at present."
"Then who was he?" asked Sylvia, and as Mortimer appeared to have no theory of his own she passed on to recount her finding of the votive offering.
"I suppose it was your doing," she observed; "it's a harmless piece of lunacy, but people would think you dreadfully silly if they knew of it."
"Did you meddle with it in any way?" asked Mortimer.
"I - I threw the grapes away. It seemed so silly," said Sylvia, watching Mortimer's impassive face for a sign of annoyance.
"I don't think you were wise to do that," he said reflectively. "I've heard it said that the Wood Gods are rather horrible to those who molest them."
"Horrible perhaps to those that believe in them, but you see I don't," retorted Sylvia.

[ســــارونة]

[ALIGN=LEFT]< 4 >

"All the same," said Mortimer in his even, dispassionate tone, "I should avoid the woods and orchards if I were you, and give a wide berth to the horned beasts on the farm."
It was all nonsense, of course, but in that lonely wood-girt spot nonsense seemed able to rear a bastard brood of uneasiness.
"Mortimer," said Sylvia suddenly, "I think we will go back to Town some time soon."
Her victory had not been so complete as she had supposed; it had carried her on to ground that she was already anxious to quit.
"I don't think you will ever go back to Town," said Mortimer. He seemed to be paraphrasing his mother's prediction as to himself.
Sylvia noted with dissatisfaction and some self-contempt that the course of her next afternoon's ramble took her instinctively clear of the network of woods. As to the horned cattle, Mortimer's warning was scarcely needed, for she had always regarded them as of doubtful neutrality at the best: her imagination
unsexed the most matronly dairy cows and turned them into bulls liable to "see red" at any moment. The ram who fed in the narrow paddock below the orchards she had adjudged, after ample and cautious probation, to be of docile temper; today, however, she decided to leave his docility untested, for the usually tranquil beast was roaming with every sign of restlessness from corner to corner of his meadow. A low, fitful piping, as of some reedy flute, was coming from the depth of a neighbouring copse, and there seemed to be some subtle connection between the animal's restless pacing and the wild music from the wood. Sylvia turned her steps in an upward direction and climbed the heather-clad slopes that stretched in rolling shoulders high above Yessney. She had left the piping notes behind her, but across the wooded combes at her feet the wind brought her another kind of music, the straining bay of hounds in full chase. Yessney was just on the outskirts of the Devon-and-Somerset country, and the hunted deer sometimes came that way. Sylvia could presently see a dark body, breasting hill after hill, and sinking again and again out of sight as he crossed the combes, while behind him steadily swelled that relentless chorus, and she grew tense with the excited sympathy that one feels for any hunted thing in whose capture one is not directly interested. And at last he broke through the outermost line of oak scrub and fern and stood panting in the open, a fat September stag carrying a well-furnished head. His obvious course was to drop down to the brown pools of Undercombe, and thence make his way towards the red deer's favoured sanctuary, the sea. To Sylvia's surprise, however, he turned his head to the upland slope and came lumbering resolutely onward over the heather. "It will be dreadful," she thought, "the hounds will pull him down under my very eyes." But the music of the pack seemed to have died away for a moment, and in its place she heard again that wild piping, which rose now on this side, now on that, as though urging the failing stag to a final effort. Sylvia stood well aside from his path, half hidden in a thick growth of whortle bushes, and watched him swing stiffly upward, his flanks dark with sweat, the coarse hair on his neck showing light by contrast. The pipe music shrilled suddenly around her, seeming to come from the bushes at her very feet, and at the same moment the great beast slewed round and bore directly down upon her. In an instant her pity for the hunted animal was changed to wild terror at her own danger; the thick heather roots mocked her scrambling efforts at flight, and she looked frantically downward for a glimpse of oncoming hounds. The huge antler spikes were within a few yards of her, and in a flash of numbing fear she remembered Mortimer's warning, to beware of horned beasts on the farm. And then with a quick throb of joy she saw that she was not alone; a human figure stood a few paces aside, knee-deep in the whortle bushes.

< 5 >

"Drive it off!" she shrieked. But the figure made no answering movement.
The antlers drove straight at her breast, the acrid smell of the hunted animal was in her nostrils, but her eyes were filled with the horror of something she saw other than her oncoming death. And in her ears rang the echo of a boy's laughter, golden and equivocal.
top [/ALIGN

[ســــارونة]

انا دورت بهالموقع

هنـــــــــــــــــــــا (http://go.3roos.com/wA6JDnmq6kD)


شوفيه يمكن تحصلين شي احلى:smile:

[ســــارونة]

شوفي هاذي اقصر..

[ALIGN=LEFT]Fishing For Jasmine

The silent young woman in bed number six is called Jasmine. So am I, but names are only superficial things, floats bobbing on the surface of the water, and we share deeper connections than that. Which is why she fascinates me - why I spend my off-duty time sitting beside her.
Today is difficult. The ward heaves with patients and I am kept busy emptying bed-pans, filling out forms, changing dressings. Finally, late in the afternoon, I get a few moments to make coffee, to take it over to the orange plastic chair beside her bed. I am thankful to be off my feet, glad to be in her company once again.
"Hello, Jasmine," I say, as if greeting myself.
She does not reply. Jasmine never replies. She is down too deep.
Like me, she has been sea-damaged. I too am the daughter of a fisherman, so I bait my words like fish-hooks, cast them into her ears, imagine them sinking down through cold, dark water. Down to wherever she may be.
"I have little time today," I tell her, touching her hair.
With Jasmine, it is always difficult not to touch. She is that rare thing, a truly beautiful woman. Because of this, people invent reasons to walk by. I catch them looking, drinking her in, feeding on her. They are barracuda, all of them. Wheelchair-pushing porters who slow to a crawl when they near her bed. Roaming visitors with greedy eyes. Doctors who stop, draw the thin screen of curtain, and continually re-examine that which does not need examination.
Great beauty is something Jasmine and I do not share. I am glad of it.
"Your father may be here soon," I say. "Last week he said he would come."
Jasmine says nothing. Her left eyelid flickers, perhaps.
It is two months since the incident on her father's fishing boat, since she fell overboard, sank, became entangled in the nets. It was some time before anyone noticed, then there was panic. Her father hauled her back on board and sailed for home. When he finally arrived, he carried ashore what he thought was his daughter's body.
"Jasmine," I whisper. I want her to take our baited name. I want her to swallow it.
Fortunately, there was a doctor in the village that morning, a young man visiting relatives. It was he who brought this drowned woman back from the brink, he who told me her story. She opened her eyes, he said, looked up at her father and spoke a single word - then sank again, this time into coma.

< 2 >

Barracuda. That is what Jasmine said.
When her father visits, he touches her hair, kisses her cheek, sits in the orange plastic chair at the side of her bed and holds her hand. Like my own father, he has the big, brown, life-roughened hands of a fisherman. He too smells of the sea, and pretends he is a good, simple man.
Jasmine. We share so much, we are almost one.
I remember early mornings, my hair touched to wake me, my father lifting me half-asleep from my bed, carrying me, dropping me into his boat. His voice rough in my ear, his hands rough on my skin. I never wanted to go, but I was just a child. He did as he wished.
I remember salt water, hot sun, my mother shrinking on the shore. I remember the rocking of the boat, the screams of the gulls.
"Jasmine, you have a life inside you. Can't you hear it calling?"
Nothing.
The ward door bangs, and I see Jasmine's father walking towards us, carrying flowers. He smiles at me. Even in death, my own child had my father's smile, and Jasmine's will have this man's. I know it.
He stops by her bed and touches her hair. Something stirs deep inside me. I watch Jasmine's eyelids, waiting for her to bite.
top

[كلهـ قمرهم ـم]

مشكورره حبيبتي

بقراها واشوف
عالعموم مشكوووره تعبتك معاي

:smile:
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[ســــارونة]

هاذي بعد شكلها حلوة...ترى انا ما اقراهم بس اشوف العنوان اذا حلو و اذا القصه مو طويله!!:D2

يعني اذا طلعتلج اشيا غلط مو مني!!:D2:D2

[ALIGN=LEFT]David's Haircut

When David steps out of the front door he is blinded for a moment by the white, fizzing sunlight and reaches instinctively for his dad's hand.
It's the first really warm day of the year, an unexpected heat that bridges the cusp between spring and summer. Father and son are on their way to the barbershop, something they have always done together.
Always, the routine is the same. "It's about time we got that mop of yours cut," David's dad will say, pointing at him with two fingers, a cigarette wedged between them. "Perhaps I should do it. Where are those shears Janet?"
Sometimes his dad chases him round the living room, pretending to cut off his ears. When he was young David used to get too excited and start crying, scared that maybe he really would lose his ears, but he has long since grown out of that.
Mr Samuels' barbershop is in a long room above the chip shop, reached by a steep flight of stairs. There is a groove worn in each step by the men who climb and descend in a regular stream. David follows his father, annoyed that he cannot make each step creak like his old man can.
David loves the barbershop - it's like nowhere else he goes. It smells of cigarettes and men and hair oil. Sometimes the smell of chips will climb the stairs along with a customer and when the door opens the waiting men lift their noses together.
Black and white photographs of men with various out-of-fashion hairstyles hang above a picture rail at the end of the room, where two barber's chairs are bolted to the floor. They are heavy, old-fashioned chairs with foot pumps that hiss and chatter as Mr Samuels, the rolls of his plump neck squashing slightly, adjusts the height of the seat.
In front of the chairs are deep sinks with a showerhead and long metal hose attached to the taps, not that anyone seems to use them. Behind the sinks are mirrors and on either side of these, shelves overflowing with an mixture of plastic combs (some plunged into a glass bowl containing a blue liquid), shaving mugs, scissors, cut throat razors, hair brushes and, stacked neatly in a pyramid, 10 bright red tubs of Brylcreem.
At the back of the room sit the customers, silent for most of the time, except when Mr Samuels breaks off from cutting and takes a drag on his cigarette, sending a wisp of grey-blue smoke like the tail of kite twisting into the air.

< 2 >

When it is David's turn for a cut, Mr Samuels places a wooden board covered with a piece of oxblood red leather across the arms of the chair, so that the barber doesn't have to stoop to cut the boy's hair. David scrambles up onto the bench.
"The rate you're shooting up, you won't need this soon, you'll be sat in the chair," the barber says.
"Wow," says David, squirming round to look at his dad, forgetting that he can see him through the mirror. "Dad, Mr Samuels said I could be sitting in the chair soon, not just on the board!"
"So I hear," his father replies, not looking up from the paper. "I expect Mr Samuels will start charging me more for your hair then."
"At least double the price," said Mr Samuels, winking at David.
Finally David's dad looks up from his newspaper and glances into the mirror, seeing his son looking back at him. He smiles.
"Wasn't so long ago when I had to lift you onto that board because you couldn't climb up there yourself," he says.
"They don't stay young for long do they, kids," Mr Samuels declares. All the men in the shop nod in agreement. David nods too.
In the mirror he sees a little head sticking out of a long nylon cape that Mr Samuels has swirled around him and folded into his collar with a wedge of cotton wool. Occasionally he steals glances at the barber as he works. He smells a mixture of stale sweat and aftershave as the barber's moves around him, combing and snipping, combing and snipping.
David feels like he is in another world, noiseless except for the scuffing of the barber's shoes on the lino and the snap of his scissors. In the reflection from the window he could see through the window, a few small clouds moved slowly through the frame, moving to the sound of the scissors' click.
Sleepily, his eyes dropping to the front of the cape where his hair falls with the same softness as snow and he imagines sitting in the chair just like the men and older boys, the special bench left leaning against the wall in the corner.
He thinks about the picture book of bible stories his aunt gave him for Christmas, the one of Samson having his hair cut by Delilah. David wonders if his strength will go like Samson's.

< 3 >

When Mr Samuels has finished, David hops down from the seat, rubbing the itchy hair from his face. Looking down he sees his own thick, blonde hair scattered among the browns, greys and blacks of the men who have sat in the chair before him. For a moment he wants to reach down and gather up the broken blonde locks, to separate them from the others, but he does not have time.

The sun is still strong when they reach the pavement outside the shop, but it is less fiery now, already beginning to drop from its zenith.
"I tell you what, lad, let's get some fish and chips to take home, save your mum from cooking tea," says David's dad and turns up the street.
The youngster is excited and grabs his dad's hand. The thick-skinned fingers close gently around his and David is surprised to find, warming in his father's palm, a lock of his own hair

[ســــارونة]

كلهـ قمرهم ـم


ولو خيتووووو...what r friends 4??:shy::shy::shy:

[العنيــــــدة™]

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كأني تأخرت... كل الشكر للمنتدي اللي قرر يتوقف جي..

السموحه منكم.. ان شاءالله تكونين حصلتيهم... اذا بعدك محتاجه خبري وان شاءالله نقدر نساعدك...


مع تقديري واحترامي
العنيــــــدة™

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[Ciza]

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حبيبتي
اتأخرنا عليكي شوية بس
ما باليد حلية

على العموم جبت لك موقع
فية الكثيــــــــــــر من القصص
يمكـــــــــــــــــــن ينفعـــــــــــــــــــو مررررررة ثانيــــــــة
والتمنى تلقي كل اللي تحتاجية

قصص صغيرة (http://go.3roos.com/p7ykphA2BGl)

تحياتي

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[كلهـ قمرهم ـم]

الله يعطيكم العافيه العنيده وCiza

مشكورين مره ثانيه:smile:

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